Director-writer Tushar Amrish Goel's The Taj Story is immensely offensive, not just for distorting history, but also on a much deeper level.
The film is a killingly dull and verbose project, where the makers have mistaken speculative research for cinematic 'truth'.
cinema can't be about so-called research material being bandied about in a courtroom
Paresh Rawal and Zakir Hussain, capable actors, are wasted in a film where they simply quote from documents and books with a straight face.
The film's intentions are as fake as the courtroom setting.
The Taj Story is an offensive and dull film that distorts history.